Salim Akil Shares His Vision For ‘Black Lightning’

With all the buzz surrounding the newest DC show to hit the CW, Black Lightning seems to be one of the few new TV shows to really connect with people. The show has all things comic books fans have come to love about genre TV shows, but also taps into something more mainstream. Recently, one of the showrunners, Salim Akil, who runs the show with his wife Mara Brock Akil, sat down for an interview to share what he hopes to change about how superhero TV shows are done and the repercussions  of violence. Here are some highlights:


On how the show is already different from the other CW/DC television shows:

I asked myself, if I was gonna do a superhero show, what I wanted him to do. I wanted him to fucking go into Richmond or Chicago or Watts, or whatever city was suffering from gun violence and drugs, and clean it up. I knew I had to do it a certain way, and I knew I had to do it as honestly as I could. I didn’t want to do a show where violence was impersonal, or where you could watch it and never notice it. I wanted to do a show where, when the violence happened, you were like, “Oh, shit!” So, when we first had the idea to shoot LaWanda, everybody was like, “No, you can’t shoot a mom!” But we did, and I think people will feel it because that character felt so real. That actress did such a great job. So, yeah, I did want it to be a completely different type of feel.


On the consequences of violence:

Episode 3 is called “LaWanda: The Book of Burial” ‘cause we bury her. Just because she died in Episode 2, she doesn’t go away. We see the consequences on the community and how they react to it. I don’t think I’ll ever do a show with violence where there’s no consequences ‘cause I know the consequences. I’ve experienced them. I’ve worked in a mortuary and seen the consequences of what guns and knives do to people. I’ve buried people. I’ve held people in my arms who were bleeding from gunshot wounds. There’s no way for me to disassociate myself from that and make it look pretty.


On the character of Jefferson Pierce becoming Black Lightning again:

If you’ve got lightning bolts coming out of your veins, you can’t just go take Tylenol. Throughout, you’ll see him popping a pill or two. That’s what happens. But the biggest affect is on his relationship with Lynn. They were close to getting back together, and now he’s jumping back in. In the series, that’s the biggest result of him using his powers, a decade later.


On his transition to running a show about superheroes:

I have to remind myself, constantly. All the writers are great, but Charles Holland, Jan Nash and Pat Charles are always reminding me, “Salim, they’ve gotta use their powers!,” and I’m like, “Okay!” I’ll walk in the room and they’ll say, “And he’s gonna do this!” And I’ll be like, “Who does that?!” And they go, “You do know he’s a superhero, right?!” I constantly have to remind myself that he’s got powers. Then, it becomes fun when I figure out what to do with them.


On when Jefferson Pierce finds out his daughters have powers:

Lynn feels like Jefferson gets addicted to his powers. Imagine being a father and a mother, and thinking that your husband or ex-husband was addicted to something, and now you see your daughters going down the same road. It makes Jefferson re-examine who he is. He’s been out of the game for awhile, but getting back in, there have been some dangerous moments. They both can see the future for their daughters, and that’s scary. That’s when you really get down to the family aspect of it and go, “Damn! Shit! Not only me, but my daughters?! How do I handle this? What do I do with this?” That will be a big question for him, as the series goes on. If you have powers, you’re gonna use them, so it’s gonna be interesting, for both of them.


On what we can expect from Lady Eve:

What I like about Lady Eve is that she’s a boss, and that’s all I wanted her to be. You thought Lala was it, but Lala had a boss. Then, you think he must be it, until you find out, “Oh, shit, this is the boss!” I just thought that was empowering for young girls to see, but also women, in general. Women, throughout this show, are empowered. They’re rollin’ with the guys. They’re right there with them. There’s one sexy girl in it, and she’s Tobias’ bodyguard. I hope even she isn’t affected by the male gaze. I try to not use the male gaze, in order to feminize the characters. I try to make it an egalitarian atmosphere for everyone. So, you can expect for Lady Eve to be a boss and to rule. Jill is amazing! She’s great. I love her.


On his need to direct the pilot episode:

Yeah. I just couldn’t see anybody else doing it. I wanted it to be as real and as emotional as it possibly could be, and I wanted it to have a cinematic tone to it. I wanted you to feel like you were just watching a movie, from episode to episode. I knew that I could do things, as a writer and director, that another director probably couldn’t do. To me, the details of our lives and the culture really matter. Yes, it’s black culture, but it’s American culture. That’s what I’m trying to present this as. Of course, they’re black, but it’s also American culture, with the music and the lingo. I think it’s time for people to say, “That’s us, and I’m proud of this shit! This is my culture!”


Be sure to check out Black Lightning, every Tuesday at 9:00pm on The CW.